Friday, 19 April 2013

The Purpose of Music Videos



Music Videos are short videos that integrate with a song mainly for promotional purposes. The first ‘real’ music video was released in 1975 for Queen’s hit single ‘Bohemian Rhapsody’. This video set the wheel rolling and music video have been released for songs ever since. The purpose of this essay to show understanding of why music videos are so popular, the promotion of artists in music videos and the extension of media outlets, amongst other things.

Music videos are sometimes used as a way for 
 the artists to promote themselves.To do this they use techniques such as having their band name or logo feature in the video for example on the drums or just as a title at the beginning. They can also promote themselves by dressing in a certain way that the audience will recognize. An example of an artist that promotes themselves through their music videos is LMFAO. One of the duo has a signature Afro that is even feature on their bands logo.

The directors can also promote themselves through the music videos they direct. An example of this is Richard Ayoade's music video for Vampire Weekend's song ''Oxford Comma''. The video is very stylistic and reflects the style of Ayoade's film Submarine (Ayoade, 2010) which promotes him as a visionary director.
Artists are marketed in many different ways. The way in which they are marketed usually reflects the style of their music. For example Michael Buble is marketed with a 'polished' look as this reflects his image, his inspirations and his music. The way artists are marketed usually shows in their music videos as in Michael Buble' music videos he is usually wearing smart expensive suits. On the other hand, there are independent bands that do not always have the finance to market themselves the way they would like to as their music videos are paid for by independent record labels who have a smaller budget.The main way that artists on independent record labels promote themselves is the clothes the wear and the way they style their hair.

Artists and the record company will usually receive money every time their song is played on the radio. The same goes for when their music videos are shown. Artists use music videos to extend their income and in fact some release music videos just for this reason. The more popular a track is the more likely the music video is going to be watched and aired which leads to a larger income for the artist. The music video doesn't have to be very well directed for people to watch it as they may just want to watch it for the song. Mainstreams artists have a larger income from royalties as their music is played more on the radio and on TV channels and that leads to more people hearing the song and then paying for a copy.

Media texts are accessed through media outlets. Media outlets are media devices like the internet that allow us to view music, videos, information etc. Examples are televisions, DVDs, Internet and public screens, but their are many more. Most people watch music videos on either a television music channel such as 4Music or Veva. The first music video channel was MTV that started broadcasting in 1981. Since then their have been many new music channels, some that specialize in certain music genres and some that show a variety of all types of music. Now that most people have access to the internet and a computer music videos are watched a lot online. YouTube is a huge website for music videos with the most watched music video being PSY- 'Gangnam Style' which as of now has over 1,500,000,000 views. There are advantages and disadvantages of the growing number of media outlets; the advantages include that the audience have more of a choice of what they want to watch, there is more of a chance for artists to get publicity and there is better accessibility. However there are disadvantages such as increased piracy, it's harder to find certain videos and more competition for artists.


Another form of promotion is synergy. This is when licencing deals are made to sell certain products using an image such as a character or logo to increase sales. An example of when this happens a lot is Batman. Batman, the characters and logos are owned by DC. Consumers can buy almost anything with the Batman license on it, such as clothing, cakes and stationary. Instead of the owners of the licence releasing these products, deals are made for other companies that may specialize in the goods to release them. This way both companies can make money for the product and their income will greatly increase. This is sometimes used with music videos. An example of when synergistic marketing was used for a music video was for Pink Floyd's "Brick in the Wall". Badges and t-shirts were released with the picture of the walking hammers as featured in the music video. 


I think that music videos are popular mainly because they usually show the audience the artists. People who are fans of the artist will want to see the clothes they are wearing and their hair style etc. Another reason I think they are popular is because some of them are 'events' and are sometimes better than the songs themselves. For example the music video for "Gangnam Style" is very surreal and it attracted audiences to the song and allowed for parody.

Wednesday, 17 April 2013

Commissioning Process for Writing for Television and Video

1.      Job Roles Within the Commissioning Process
Commissioning editors select ideas that they feel will work well and allocate the production team a certain budget to create the product. There are usually different commissioning editors for a specific genre, for example, there would be a different person selecting ideas for dramas to the person selecting comedies etc. Once the commissioning editor has chosen an idea and given the production team a budget they will follow the production all the way until it is ready to be transmitted or released.

Producers will deal with all areas of a production that the director doesn’t deal with. Included in this is overseeing and dealing with tasks such as legal issues, cast and crew, budget, marketing of the product and much more. The Producer can have also been the person who pitched the idea and they have control over who the director will be and who will be playing certain characters. An example of a Producer is Michael G Wilson (For Your Eyes Only, GoldenEye, Casino Royale, Skyfall)

The Director will take the idea that was pitched and will turn it into the images and sound that audience will finally see. The Director has full control on what is happening on set. For example they can direct the Director of Photography on certain shots that are needed and direct the cast on what to do during a scene. They can also direct the editor during post-production stages on what shots to use and sometimes to delete entire scenes from the product. An example of a very famous Director is Alfred Hitchcock (North by Northwest, Psycho, The Lady Vanishes, Shadow of a Doubt) a notorious control freak.

Script Editors do not simply just edit scripts, they have many different responsibilities including developing the storyline, ensuring the scripts are suitable for production and finding new writers for scripts.  During each draft of the script the script editor will work with the writer, giving them tips, suggesting improvements and ensuring that the length of the script adheres to the running time of the production. Script editors will usually work closely with the producers during production.

Writers in the media business work freelance as do 89% off all film and TV employees. To be a professional screenwriter no education or degrees etc. are needed. Some screenwriters start by writing scripts without being hired, in a way just to get into the business and get their ideas onto paper.

2.       Commissioning Bodies
Commissioning bodies are used when someone is trying to sell their product to a production company. 

A film corporation is a company that releases the finished productions. They make their money from box office revenue of the film and sales of the film. A film corporation will not want a film to flop because then the corporation will make a loss. Because of this they cannot afford to release lots of bad movie or movies that no one has interest in. They like to release sequels to blockbusters because they have a more likely chance of grossing more money. Examples of major film corporations include; Warner Brother, Disney, MGM and Paramount.

Independent films are feature length professional films that are not released by the major film corporations such as Warner Brothers. Instead they are released by independent production companies. The writers for independent films are usually unknown as they are cheaper to work with. Example of Independent productions companies include; Film4 Productions, Lions Gate Films and Summit Entertainment. There are also Independent TV Companies that release TV shows. These include; Tiger Aspect, Avalon and Endemol. They can also be people who want a change or who make careers out of indie films.

Independent directors usually produce their own screenplays that they have written themselves or have taken a big part in the screenwriting stage. It can be difficult for a director to be in the stage where he has the funding to produce their own screenplay. So this can make it hard for this to happen. Robert Rodriguez wrote and directed the film El mariachi (Rodriguez, 1992). People who make independent films usually have multiple roles to lower the cost of paying more people to work.

Organisations exist to help screenwriter work with actual writers. Instead of financing screenplays they help to develop the scripts and give feedback and improvement that can be made. An example of an organisation that does this is BBC Writer’s Room.[1]

Some organisations use competitions to find new writers. Again the BBC Writer’s Room is an example of an organisation that does this. The competitions sometimes have certain requirements such as length or genre or they can sometime be open to whatever. The rewards are usually money and the chance for the screenplay to be made into a production.

Agents are used by writers to help find them jobs. The production company will usually contact an agent to see if their client (the writer) would be interested in writing a script for them. Independent writers may not have an agent due to cost but almost all ‘big-time’ professional writers will have one. The agents are sometimes given the job of deciding on what the writer will work on next.

3.      The Role of the Writer Throughout Production
Pre-production planning for a writer can usually include researching the subject that the script is on. For example if the script is set during Victorian times, the writer will want to research how people lived then, who was in power or the way that people talked. The more research that the writer does, the more authentic the production will seem. If there are any mistakes with the research people may be offended or put off the production. Also there can be legal implications if the events are not depicted accurately.

Script editing is done by a script editor. Feedback is given the screenwriter on how he can improve the script. The screenwriter does not have to make these changes if he does not agree but it is best to. Instead of pointing out problems the script editor will help the screenwriter to identify the problems and help improve the overall script.

Directors and Producers can sometimes ruin how the screenwriter pictured the final screenplay. The Director pretty much has the final say on how the production will be so if he pictured the production differently there may be disagreements between the two. For example Lee Hall wrote a script for a film version of his play I Luv You Jimmy Spud. He had almost finished making final changes to his script when the director sent him his own version. Hall hated this script so he left the project.

To make the script easier to shoot, before production begins page numbers and scene numbers are added to the script. Sometimes changes need to be made to the script when production has already begun. If this happens there are guidelines on how this should be distributed and logged. These guidelines usually include something such as sending all cast and crew that the changes will affect the new pages with the changes on them.

Page lock-down is when if any changes to the script are made, they are coded and sent as separate pages. This is done to save time as if the changes were added to the complete draft of the script the whole scene numbers will have to be changed. The added pages are given codes such as 42a rather than 43 if it goes after page 42. If a page is cancelled from the script it is either taken out completely or there are clear notes stating this this scene had been cancelled.

1.      Working as a Writer
A lot of the time scripts are recycled or have used part of existing screenplays. When this happens the production companies that used the material have to pay royalties to the original writer or whoever owns the rights to the material. If this is not done the person/company that owns the material could sue the screenwriter for plagiarism.

Writers usually have to have a professional presentation. This can include the clothes they wear such as a suit and clean pressed clothes and the presentation of their work such as a well laid out PowerPoint. This is important as the production company needs to know that can rely on this person. However sometimes this is not the case.  During the production on Lost (Abrams, 2004) a crew member made a good impression on J.J Abrams when he turned up to a meeting wearing a Star Wars t-shirt.

Time management is important to a writer but it can also be a burden. Writers usually work to a certain deadline so that production can start on time. This can be a problem as some writers do not work to their full amount if they are not in the right mind or mood and can sometimes get ‘writer’s block’. If the screenplay is being written without a deadline it means that the writer can work when he can or when he feels like it. Working hours are very ‘free’ as it can vary from working for example one hour a day to working 20 hours a day. If they fail to meet deadlines there is a chance they will be fired from the production and someone else will take their role.

There are lots of legal and ethical considerations that a writer has to take into account when writing a screenplay. The most common law that is broken is copyright. It can usually happen accidently as a lot of stories have been told so there is little originality left. Writers also have to make sure they are not biased unless their point of view is true. They also have to take watersheds into account as if the screenplay they were writing was going to be broadcast before the 9pm watershed they would have to make sure that there was nothing inappropriate in their script and that it meets Ofcom’s guidelines. If there is anything inappropriate then some scenes in the production may be censored and cut from TV broadcasting. The writer needs to take into account the BBFC rating that the production is aiming for. For example if they are aiming for a PG certificate the writer needs to make sure that there is nothing in the script that will mean it can’t be PG. Libel problems also need to be considered so that no one is offended by untrue remarks. If the screenplay does commit libel laws they are at a high risk of being sued.


[1] Information Booklet – Ellie Buchan

Monday, 25 March 2013

Single Camera Production Techniques




This is essay is about single camera techniques and other alternative solutions. I am writing it to show the skills and knowledge I have learned from using single camera techniques. I will write this essay in different sections including what single camera is, how to use a camera for single camera techniques and the alternative solutions.

Using a camera for single camera production is slightly different from how you would use it for multi-camera production. Obviously when using single camera techniques you only use one camera. However on some single camera productions more than one camera is used. This is usually if there is a scene such as an explosion or something that will be difficult and time consuming to shoot multiple times which is why it is shot from multiple angles with different cameras. When shooting a scene using single camera techniques, sections of scenes or sometimes the entire scene are shot with one take then reacted and reshot various times so that they can later be spliced together during the editing stage. This can make it more expensive as more film or digital space is needed to hold the extra footage that has been shot. The director has the main control over the shots but a cinematographer will help the director realise what he wants. Lighting on single camera production is done by lighting each shot individually, this makes controlling the light a lot easier. It makes the lighting look more realistic as it can look fake when shooting with multiple cameras as one lighting set-up is used from multiple camera angles.

There advantages and disadvantages to sound when using single camera techniques. A disadvantage is that a lot of overlay needs to be shot this means that filming can sometimes over run as a lot of extra time is spent filming. Overlay is extra footage that is shot but is not intended to be used. It is just shot to help continuity with the parts of the take that will be used. A lot of footage is wasted when editing a production that has used a single camera. This is because most of the footage is not filmed for use but just to make it edit together more smoothly.  Microphones are used for recording sound onto a separate file so that in post-production soundtracks from one take can be used on another as long as they fit. This may be done if a shot is right but there is a problem with the sound.

If something goes wrong when shooting a scene for a single camera production, sometimes all the cast a crew need to get back together to reshoot. Because of the careful planning is needed when producing a single camera production. This involves scripting. Scripting for a single camera production is very similar to if you were to script a multi-camera production. The main differences are that multi-camera scripts use different format conventions such as capitalising scene directions.[1] A script supervisor is required to help control continuity in the script, axis and eye lines of characters and much more. It is there job to make sure there are no continuity mistakes such as sudden change in location.

Building a story mainly consists of four things; characters, plot, style and structure.  Characters are the people that will be involved in the story that is being written. There is normally a main character, supporting characters such as a best friend and enemies of the main character. The plot is the story in which the characters are involved. A strong plot is what will usually attract audiences to a production. Style includes the tone of the production such as is it a feel good story or is it a realist story. Structure is the way in which the story is told. Structure can be linear which is beginning-middle-end or nonlinear which mixes it up and sometimes involves flashbacks to tell parts of the story.

When building a scene you need to consider the five P’s; people, place, plot, progression and point. People is who needs to be in the scene such as characters. It is very important to know what characters are going to be in the scene so that there are no continuity errors if a character just disappears between scenes. Place is the location in which the scene is set. It is important to know what location a scene is set so that there is no confusion and planning can be made to be in the right locations. Plot is the story that is involved in the scene.  It is important to know the plot in the scene so that each scene has a purpose. Progression is how the scene will move the story along. This can include development of characters and the plot unfolding. This is important so that the story is kept strong throughout the production. Point is about the intention of the scene. The intention of the scene is normally to serve the story and keep it moving.

Period dramas are dramas that are set in a certain time in the past such as Victorian times. In period dramas costumes and props are rebuilt to match that of the era it is set in to create more realism. An example of a period drama is Call the Midwife (2012 – Present).  Dramadocs are a combination of both drama and documentary. This is usually done to dramatise research or to make the production feel more real. An example of this is the BBC miniseries Space Race (Spencer, 2005). Crime dramas are dramas that focus either on criminals, authority figures or both. An example of a crime drama is Silent Witness (1996 – Present). Single camera techniques are used in Horror to create a more realistic feeling therefore making it scarier. An example of a Horror is The Walking Dead (2010 – Present). Soap operas are on-going dramas that usually broadcast around four episodes a week. They are usually filmed using multi-camera techniques so that the episodes can be shot and edited as quickly as possible. An example of a soap opera is Coronation Street (1951 – Present). Comedy shows are shows that are made to make people laugh or feel good. They are usually filmed with multi-camera techniques but are sometimes filmed with single cameras. An example of a single camera comedy is Scrubs (2001 – 2010). The camera used on these dramas depends on the logistics such as the size and mobility. The easiest camera to use with the best result will be the one that will finally be used. This goes will all equipment used on the production.

The different forms of dramas are series, serial and single drama. Series dramas are a group of episodes around 23 that are usually broadcast weekly series dramas will eventually end once the story has finished, when viewing figures decline or if it is cancelled by the broadcaster.  Breaking Bad (Gilligan, 2008) is an example of a series drama. It follows a high school teacher who is diagnosed with terminal cancer. He uses his expertise to create the finest meth and sells it to provide for his family once he is killed by the cancer. The show has ran for five seasons and 62 episodes. Serial dramas are usually continuous and do not run for a specified time. Soap operas are serial dramas as they do not have ends or various seasons. An example of a serial drama is Coronation Street (1951 – Present). Coronation Street has been running for over 50 years and as of 14th January 2013 there has been 8040 episodes broadcast. Single dramas are just one off episodes. The story will start and come to an end all in the one episode not dissimilar to a movie. An example of a single drama is Small Island (2009). It is about the story of Jamaicans and Londoners involved in WWII.

Single camera productions can use various narrative structures. The most common type being linear structures. This is when the narrative will start with a beginning go to the middle then finally the end. The narrative is sequenced in a chorological order. The opposite of this is non-linear. The story can be told in a sequence of flashbacks such as the way Lost (Abrams, 2004) is told. Realist narratives are usually slow moving. This is because they aim to offer a realistic story so it sometimes take a while for anything interesting to happen. They aim to offer a story of life rather than an action packed story like what anti-realist narratives offer. Anti-realist narratives tell stories that the audience knows is fiction. They will sometimes include things that are not possible such as time-travel in Doctor Who (2005). Open ending narratives are when the story is left unfinished. They can usually end on a cliff-hanger which will leave the audience guessing what is going to happen rather than actually telling them. Some audiences feel cheated by open ended narratives as the spend time watching the production and never get to find out what happened. The opposite to this is closed ending narratives that resolve the story. This usually ends with the character reaching the goal they have been trying to reach throughout the narrative such as in a romantic comedy and the couple finally get together.  The audience usually feels fulfilled as they know the full story and the resolution of the characters.

Using a single camera rather than multiple can make the audience feel more like they are involved in the scene. This is used to create a more intimate feel.[2] Single camera productions usually take longer to edit than multi-camera as all the footage needs to be search through to find parts that are wanted. Unlike single camera productions, multi-camera productions can sometimes be edited live. This is used on live TVs such as Ant and Dec’s Saturday Nights Takeaway (2002 - Present), it is done to keep the audience interested as if it was just one shot at one angle it will get boring for the audience. There are usually a lot more continuity errors in single camera productions than there are in multi-camera productions because when the whole scene is in one take everything has to be done at the exact same time including position of characters and emotions on their faces.


[1] Single Camera Techniques Booklet – Ellie Buchan
[2] Single Camera Techniques Booklet – Ellie Buchan

[1] Single Camera Techniques Booklet – Ellie Buchan
[2] Single Camera Techniques Booklet – Ellie Buchan
[3] Single Camera Techniques Booklet – Ellie Buchan